I would die without you
I watched this cartoon the first time in my distant childhood, when citizens were watching movies on VHS tape recorders. Then I still would not know what I saw before me: a cartoon being a cartoon, about 14, whom everybody was spreading rot and who all things considered saved everyone.
But not surprisingly, I remembered exactly one phrase that sunk into my soul - I might have left without you ... I watched animated Balto (1995) movie on #link# free online.
And simply now, after many years, having reviewed it already as a mature, a conscious person, I realized WHAT I saw above 10 years ago.
And I saw something 100% of modern and 90% off cartoons generally speaking don't give birth to emotions. Emotions from a simple, unpretentious (and therefore - absolutely understandable to everyone) story, able to touching, horrifying and forcing oneself to empathize.
It is possible to talk a great deal in regards to the merits of Balto: the Hollywood production (the last 15 minutes, for me, must be entered into the animation textbooks), the astounding voice acting (Boris's Russian accent especially pleases) and focus on detail (the 34th minute brings an adult, who have children, from the least developed horror).
But, it is important, in my opinion, the dignity of'Balto'is music.
First, I suspect that it hadn't been the music that was adjusted to another scene, however the scene to your music (for those that do not believe, reconsider the interval from 1:06:48 to 1:07:10).
Secondly, it perfectly conveys the emotions from the scenes that it sounds. This isn't just a hysterical piano or perhaps a violin in sad scenes or perhaps a vigorous orchestra in dynamic ones. It really is hard to convey in words, but you only need to do not have a shadow of doubt that something more important should sound here.
Above all, it truly is verified to your previous note. There isnt a particular extra split second, not a single extra note in the music of'Balto '. This incredible quality is maintained in the entire 70 minutes of your cartoon. All in all, my lowest bows to your Balto composers: James Horner and Barry Mann.
One more blow towards the nerves on the viewer may be the song while in the credits. A surprisingly accurate name - Grab the Light, the perfect transfer of emotions and the total result of all the impressions of'Balto'(especially if you realize the text). Impressive people (especially girls) cry on the credits, and I absolutely understand why.
movie review Oh, and one more thing: be sure to revisit it using an English soundtrack.'Balto'in Russian plus in English: these are 2 different cartoons.
And that: one of the few cartoons which may have not lost their relevance presently and, personally in my situation, is the better cartoon ever seen.
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